A Poetic Encounter During the Venice Art Biennale
During the Venice Art Biennale — when the city becomes a global crossroads of creativity and influence — certain exhibitions rise above the calendar’s noise and into the realm of quiet resonance. One such moment unfolds at Museo Fortuny, where Eva Jospin’s exhibition Selva transforms the historic palazzo into a dreamlike forest shaped by memory, architecture, and material intelligence.
Organised by Galleria Continua — founded by Mario Cristiani, Lorenzo Fiaschi, and Maurizio Rigillo — the exhibition offers collectors and art professionals an experience that combines meticulous craft with conceptual depth.
In the Heart of Museo Fortuny
The setting itself — an elegant fusion of Venetian history and artistic possibility — provides an apt environment for Jospin’s practice. Known for her intricate sculptural compositions and site-specific installations, Jospin crafts landscapes that resist simple representation. Her forests are architectural worlds: organic in appearance but constructed with intellectual precision.
Selva is a space where the viewer’s presence feels active rather than voyeuristic. Shadow, scale, and texture become participants in the narrative.
Price Context — What Collectors Are Considering
For collectors interested in acquiring works by Eva Jospin, the market currently reflects her critical standing and the complexity of her practice. Prices vary significantly based on medium, scale, and exhibition history, but current gallery offering ranges include:
-
Works on paper / preparatory drawings: approximately €40,000 – €120,000
-
Smaller sculptural works and reliefs: around €150,000 – €350,000
-
Large-scale installations and architectural works: €500,000 to €1.5 million and above
-
Site-specific commissions or bespoke projects: priced on request, often reflecting bespoke fabrication, logistics, and exhibition record
These figures are indicative and depend on provenance, exhibition history, and collectors’ individual negotiations with galleries such as Galleria Continua.
The VIP Opening — A Meeting of Minds
The invitation-only VIP opening, timed with Biennale’s high-visibility days, attracted a distinguished assembly of international collectors, curators, museum directors, and cultural leaders. The air was discreet yet charged with genuine appreciation, conversations effortlessly weaving between materiality and meaning.
Among the iconic guests was Peter Marino, the American architect and Fellow of the American Institute of Architects, whose firm — Peter Marino Architect PLLC — has shaped architectural identities for leading cultural and luxury brands. Marino’s presence added another layer to the evening: a convergence of artistic and architectural sensibilities resonating with Jospin’s spatial narratives.
Collecting circles moved through the exhibition, often pausing before Jospin’s sculptural “forests,” absorbing their physical presence and conceptual nuance. The VIP lounge (complemented by quiet hospitality) became a space for dialogue rather than display — where acquisition conversations felt natural and deeply informed.
Eva Jospin — Crafting Memory into Space
What makes Jospin’s work compelling to collectors and institutions alike is its rootedness in craft and its openness to interpretation. Her Selva engages with ideas of nature as a constructed archive — a place where memory, myth, and material converge.
In a city like Venice — a living stratification of history and water — Jospin’s work finds a receptive home. The choice of Museo Fortuny reinforces this connection, linking her contemporary vision with the palazzo’s own layered past.
Collector Resonance and Lasting Value
Collectors drawn to Jospin’s work are often those who value material sophistication, spatial intelligence, and intellectual rigour. These are not works bought for momentary trend; they are pieces that speak to long-term collection strategies: museum placements, institutional loans, and dialogues with architectural space.
With prices that reflect both artistic ambition and market validation, Jospin’s work continues to circulate among discerning collections in Europe and beyond.
Editor’s Note
Selva at Museo Fortuny is more than an exhibition — it is an interlude of thought, form, and presence during one of the world’s most important art seasons. Under the auspices of Galleria Continua, the show offers VIPs and art professionals a rare synthesis of beauty, idea, and experience.
In Venice — a city shaped by layers of history — Eva Jospin’s work feels not only timely, but timeless.
